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Acerca de

Nuestra artesanía, un legado de siglos

Mexicatlalli es un proyecto que busca mantener viva nuestra cultura a través de autenticas piezas creadas con técnicas de arte prehispánico

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Nuestra misión es compartir con el mundo parte de nuestra cultura a través de auténticas piezas que son creadas con técnicas ancestrales ayudándonos a mantener vivo nuestro legado, ofreciéndote auténticas piezas que son diseñadas con la vegetación de la región donde se fabrican, creadas con todo el poder de la naturaleza para brindarte un producto único

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Cajas

Cajita de Olinala

Más que una pieza, es compartir un pedazo de nuestra cultura para mantener viva nuestra historia.

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I have given sufficient space to marks in the present volume to indicate those used by the London and other assay offices. Some marks are given which do not appear elsewhere, and the arrangement of the tables should enable the beginner to come to a definite conclusion as to the date of his silver. In especial, the Table of variations in the shapes of shields in the hall-mark and standard-mark employed at the London Assay Office from the accession of Queen Elizabeth to the present day, is a feature not before given in so concise a form in any other volume.

The marks on silver are stamped, the design thus appears in relief, while the edges of the shield on which it appears are sunk. The reproduction of this has offered a difficulty in illustration in all volumes on old silver. To print black letters or designs on a white background, although easy, is unsatisfactory. On the contrary, to print the raised design in white on a dead black background is not a realistic presentation of the mark as it appears to the eye. After many experiments I have reproduced the marks in a manner more closely approaching their actual appearance, and less suggestive of black-and-white designs on paper.

The result of the somewhat chaotic alphabet marks has been to focus the attention of the collector too much on this particular side of the subject. The identification of marks, the outward symbols of time and place, have reduced the study of old silver to a somewhat lower plane than it should occupy by right. It is proper that such determining factors should have their place, but not the first place. There was a time when china collectors ignored paste and glaze and laid particular stress on marks, and it is a very happy accident that a great portion of English porcelain and much of English earthenware is unmarked. It has eventually led collectors to think for themselves and know something more of the technique and to learn to appreciate the artistic value of specimens of the potter’s art coming under their hand.

Guajes

Alhajero de Temalacaltzingo

Hacer cada producto único es posible gracias nuestra imperfección como humanos, siendo nuestras emociones las que guían a nuestras manos y sentidos en la creación de cada obra maestra.

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What would one give for a few human touches in connexion with our old silver! We may imagine that our candlesticks of the year 1750 held the flickering wax candles which were guttering when the dawn broke when our great-great-grandfather lost his fortune at cards in the county of —, or maybe it was somebody else’s grandfather. But this is in the realms of fancy, and the fortune is literally fabulous. Why are there no George Morlands in the silversmith’s craft? Cannot the guilds dig out their romantic history from their archives? Just to think that our designer of candelabra and flagons ran a fine career on Hounslow Heath with gamesters and fighting men; or did he, just that once, have a duel with young Lord What’s-his-Name in the Guards, and pinked him? Did not the story get to White’s and to the Cocoa Tree Clubs, how the tradesman scored! But no such thing. All these initials of makers are empty of such vanities. We can do better with prints. Those who possess the engraved work of Ryland have the satisfaction of knowing that he was hounded by Bow Street runners and hid, like the modern Lefroy, at Stepney, and that he was hanged for forgery.

The scene may readily be imagined. The second of May 1696 had been fixed by Parliament as the last day in which the crowns, half-crowns, and shillings were to be received in payment of taxes for face value. The guards had to be called in to keep order. The Exchequer was besieged by a vast multitude from dawn to midnight. The Act provided that the money was to be brought in by before the 4th of May. The 3rd was a Sunday, therefore Saturday, the 2nd of May, was actually the last day.

A remarkable use of conjurators to confirm the evidence of witnesses occurs in 850 in a dispute between Cantius, Bishop of Siena, and Peter, Bishop of Arezzo, concerning certain parishes claimed by both. The occasion was a solemn one, for it was before a council held in Rome presided over jointly by Pope Leo IV. and the Emperor Louis II. Peter relied upon written charters, while Cantius produced witnesses. The Emperor pronounced the claim of the latter to be just, when he and twelve priests swore that the oaths of the witnesses were true and without deceit, whereupon the disputed parishes were adjudged to him.

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Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.

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Oh

Little trees and bushes grow however makes them happy.